Media Editor Zoë G. Burnett reviews two documentaries about two women she should have already known about, and you should, too.
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Emerging from isolation and contemplation, Media Editor Zoë G. Burnett emerges to recommend two films for the finale of a long winter in lockdown.
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This Holiday season at the Attic, we asked our contributors to list the festive films they watch annually, perhaps have only just discovered, and overall those that fill their hearts with the positive feelings we so sorely need this year.
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Contributing Editor and Film Columnist Zoë G. Burnett reviews Sleepy Hollow (1999) and champions one of Horror’s most unappreciated anti-heroines.
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Between two full moons, Zoë G. Burnett recommends a respite from our daily horrors to projected horrors.
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While the end of summer may be fast approaching, there’s still a hint of warm weather to enjoy, and light refreshments are always necessary. Contributing Editor Zoë G. Burnett mixes you a G&T, or two, or three.
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As summer rolls on, Contributing Editor Zoë G. Burnett shares a humorous look into her working from home wardrobe.
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Living vicariously through the screen, Zoë G. Burnett travels from mediaeval Japan to 1970s LA with a list for anyone who wants to be anywhere but here.
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Laid to waste by overheating, Zoë G. Burnett explains how to throw a bunch of vegetables and some condiments together with minimum effort and maximum taste. Stay hydrated!
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Zoë G. Burnett reviews two 2019 Neo-noir action dramas, examining how the wrongs in film distribution aren’t being handled right.
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Contributing Editor and Film Columnist Zoë G. Burnett reviews Hulu’s new series The Great – it’s SFW, we promise.
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In her latest, Contributing Editor and Film Columnist Zoë G. Burnett reviews Céline Sciamma’s Portrait of a Lady on Fire.
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Continuing our monthly evening series, Contributing Editor and The Attic's Film Columnist Zoë G. Burnett shares her sleep routine in difficult times.
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As we enter into an uncertain spring, the Attic’s film expert Zoë G. Burnett shares her five picks for the season that will act as “an anchor in [our] sense of unreality.”
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“Perfect, with not a tightly wound pin curl out of place.” In her latest, Attic Editor & Film Columnist Zoë G. Burnett takes on Autumn de Wilde’s Emma.
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